The Boy/King at the Battle of Dickland
Nhoj Morley
This PRCA emerged from the Beefcake Madness sessions as an over-sized tale of a thoughtless buffoon who changes the world. I never expected to see one on TV. This PRCA is entirely instrumental and was mostly played on a keyboard with the power trio (guitar, bass and drums) in a supporting role. Except for the Bonus track, which features short
This PRCA emerged from the Beefcake Madness sessions as an over-sized tale of a thoughtless buffoon who changes the world. I never expected to see one on TV. This PRCA is entirely instrumental and was mostly played on a keyboard with the power trio (guitar, bass and drums) in a supporting role. Except for the Bonus track, which features short moments of super-compressed power trio bombast, which was once part of Beefcake's Epilogue track.
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1st Movement 7:540:00/7:54
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2nd Movement 13:030:00/13:03
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3rd Movement 10:370:00/10:37
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4th Movement 10:500:00/10:50
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0:00/4:56